Analog Noise forms the conceptual foundation of the research. Originating in 2016 and continuing to evolve, these works are created entirely through hand-drawn systems of dense, repetitive line-making. Despite being produced manually, the drawings evoke the visual language of electronic interfaces, machine-generated images and basic forms of data visualisation (diagrams, charts or coded signals). While the compositional logic follows simple rule-sets and algorithms, coincidence is never fully excluded. Ink behaves unpredictably: it pools, bleeds and drifts, generating irregular, gesture-like forms that interrupt the system. These disruptions resemble glitches, broken code or fragments of unintelligible language emerging from within an ordered field.